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2 Barge Duyor (Backyard Door)
Theme
An old man says:
Whenever I enter and leave my house through the back door I hear the hammering sound of the blacksmith from the other side of our village. Poor blacksmith, I am a widower, and your sound makes my heart heavy and fearful.
Every day at dawn I awake thinking of the pigeons, including the pregnant ones, who flew away from the earthen bowls by the sound of the rice husking machine near our house.
Literary translation
Coming out and in at the back door of the house,
I hear the sound of hammering,
At the end of our village the poor blacksmith prepares the ring of the cart.
Me too, poor blacksmith have no partner in life
Every beat of the hammer makes my heart tremble.
Backyard of the house and adjacent to the wall
I hear the sound of Dhinki ‘dhukur dhukur’ (Dinki-rice crusher machine made of wood)
The sound of Dhingki keeps me awake during the dawn of day.
Flight of pigeons under our thatch roof
About to hatch chicks today or tomorrow
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Learn more
- RSV School & Museum of Santal Culture >>
- Print-friendly version (PDF 200 KB) for the above translations and Part 1 >>
Courtesy: Dr. Boro Baski © Ghosaldanga Bishnubati Adibasi Trust –
Dr. Boro Baski works for the community-based organisation Ghosaldanga Adibasi Seva Sangha in West Bengal. The NGO is supported by the German NGO Freundeskreis Ghosaldanga und Bishnubati. He was the first person from his village to go to college as well as the first to earn a PhD (in social work) at Viswa-Bharati. This university was founded by Rabindranath Tagore to foster integrated rural development with respect for cultural diversity. The cooperation he inspired helps local communities to improve agriculture, economical and environmental conditions locally, besides facilitating education and health care based on modern science.
He authored Santali translations of two major works by Rabindranath Tagore, the essay “Vidyasagar-Charit” and the drama Raktakarabi (English “Red Oleanders”), jointly published by the Asiatic Society & Sahitya Akademi (India’s National Academy of Letters) in 2020.
Other posts contributed by Dr. Boro Baski >>
Ghosaldanga Bishnubati Adibasi Trust
Registration under Trust Registration Act 1982
P.O. Sattore, Dist. Birbhum
West Bengal-731 236
India
For inquiries on Santal cultural and educational programs, please contact:
Mob. 094323 57160 or [email protected]
Copyright
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See also
Audio | Santali Traditional and Fusion Songs: Ghosaldanga Bishnubati Adibasi Trust – West Bengal
Banam (Santal string instrument)
– eBook: Banam Making Workshop at Bishnubati | Daricha Foundation
– Video: Banam Raja | Interview with Nunulal Marndi | Reviving the Huka Banam
eBook | Background guide for education
eBook | Free catalogue: Banam: One of the ancient musical instruments of the Santals
eBook | Free catalogue: Museum of Santal Culture (Bishnubati) – West Bengal
India’s tribal, folk and devotional music: Secular and ceremonial songs
Infusing the Santhali Element in Schooling by Rina Mukherji
Museum of Santal Culture Bishnubati
Music and dance | Adivasi music and the public stage by Jayasri Banerjee
Puppetry | Santali Chadar Badni / Chadar Bad(o)ni”| Daricha Foundation
– eBook: Cadence-and-counterpoint-documenting-santal-musical-traditions
– Video: Damon Murmu | Sahadev Kisku | Shibdhan Murmu
Santal | Santal creation myth | Santal Parganas | The Santals by Boro Baski
Santal cultural traditions documented on the Daricha Foundation website
Santal flute music: Audio resource by Adivaani.org – West Bengal & Jharkhand
Santali language | eBook | A Santali-English dictionary – Archive.org
Santal mission | Santali songs recorded in 1931 at Kairabani (Jharkhand)
Santal music | Santal Musical Traditions: National Museum (exhibition catalogue)