Keeping Rabindranath’s ideas in mind, Surendranath Kar prepared the architectural plan and Nandalal Bose [>>Wikipedia] prepared the visual perspective based on the Borobudur style. The entire outside wall was decorated with beautiful relief work by Kala-Bhavana students under the guidance of Nandalal Bose. The Santals on either side of the main door and on the eastern corner were by Ramkinkar Baiz. Gandhiji and Kasturba stayed as guests in this house. [...]
The landscape of Santiniketan is dotted with sculptures by Ramkinkar Baij (1906-1980), largerthan-life figures of Santals who were in reality part of the landscape. A Santal family, complete with dog, a group of workers running along at the call of the mill, their clothes flying in the air, a thresher, all situated along the main road. [...]
On 22nd December 1901, Rabindranath Tagore established his school at Santiniketan with five students (including his eldest son) and an equal number of teachers. He originally named it Brahmacharya Ashram in the tradition of ancient forest hermitages.
Santiniketan is in many ways a pioneering step in the field of education and rural reconstruction. Located in the heart of nature amongst Hindu, Muslim, and Santali villages which were in ‘serious decline’ despite a rich cultural heritage, the school, from almost its beginning aimed to combine education with a sense of obligation towards the larger civic community. The ‘voice of the vedic tongue’, Tagore said, outlined the nature of Santiniketan, envisioned as the ideal form of the traditional Indian hermitages which had at one time flourished in the forests of ancient India, great seats of learning from which the Upanishads had evolved, exploring a universal and humanistic life of the mind. Although Tagore was highly critical of Macaulay’s system due to which, unlike the West, education, particularly higher education, was cut off and insulated from the living social corpus of India. [...]
While Tagore supported the idea of religious communities fostering educational research and revival of their cultures, his educational system at Santiniketan was based on plurality of cultures and religion, with even the nascent stages of Santiniketan having 2 Hindu and 3 Christian teachers. [...]
Source: Santiniketan – UNESCO World Heritage Centre
Address : http://whc.unesco.org/en/tentativelists/5495/
Date Visited: Tue Oct 18 2011 19:21:49 GMT+0200 (CEST)